Community

Last weekend, I moved into my studio at the Chicago Art Department as a part of their Resident Artist program. I am so excited about this opportunity because ultimately, I think it will give me a sense of community.

I've struggled making friends in Chicago, and I've struggled feeling that sense of community that I had in Kentucky. Since I've started painting again, I've talked to a couple of artists from Louisville, but meeting artists and non-artists in the city has not been easy. I think it's typically just more difficult to make friends as an adult in a new city- especially when you're as introverted as I am. But I know that I need a community, I need friends, and I need people to learn from. Having other artists to learn from is so valuable to me, because honestly, I don't really know what the hell I'm doing. I have no idea how to put on a show, or come up with an idea for an exhibit, or how to be a part of any of it. When I do get to talk to other artists, I always leave inspired- to try a new technique, or use different materials, or push my work in some other way. It happens every single time I spend time talking to another artist.

I'm so excited about the opportunity to work in my own community, I'm excited to meet creative, amazing people here, and I'm excited about all the things that I know I'll learn from this experience.

PS- after talking to another resident artist at CAD last weekend, I wanted to experiment with Ampersand gessobord. It was SO FUN to paint on- it's so smooth, and doesn't soak up the paint in the way that canvas does. Blending on gessobord isn't as easy as blending oil paint on canvas, but you can achieve texture easily. I love it. 

thick.. 8 x 10 oil paint on gessobord. 

Collections!!

 I am so excited to report that my work has been accepted by VangoArt.co as original pieces for sale. Additionally, two paintings were featured in their collections! 

reef #2 is being featured in their Blue, Best of Abstract, and Earthy Collections, AND deep waves is making an appearance in their Seascapes, Blue and Texture Collections!

This feels big to me, it feels like validation that I can actually sell my work to a larger audience, and that it's worthwhile. I love what I create, I put so much passion into my work in order to make something beautiful, something that takes your mind off of the everyday so that you can find some peace in something beautiful. That is why I'm inspired by breathtaking places and moments, and especially why I find myself drawn to water. Lake Michigan's shore and beaches in Chicago are absolutely my favorite places in the world. I am inspired to create from each visit I take. Having the validation that my beautiful moments can be appreciated by others is major for me. I am so excited. 

Please check me out on Vango Art. They're amazing and allow artists to sale their original works to a much broader audience than they could have reached otherwise. 

beginnings

This feels like a beginning.

And beginnings are both exciting and scary at the same time. The process of creating a website, attempting to gain attention to my art is scary.  I'm opening myself up to criticism, I'm showcasing my heart's work, I'm putting myself out there. I didn't go to school to learn about art. I went to school to learn about research processes, political systems, and data. I dedicated my life to research for the majority of my adult life. But between the years of schooling leading into research, and time spent working, I've been experimenting, practicing, and looking up technique tutorials. If I actually sit down and count the years, I've been painting for over 14 years.  Even with validation and appreciation for my work, along with my own knowledge of my experience, I still worry that the lack of formality will earn me the criticism of being a 'pretender' or classify me squarely in the non-artist camp. 

The thing about training, though, is that it doesn't exactly prepare you to do. You can learn things in theory, even practice something and submit it to be evaluated by a professional, but that doesn't equate to the process of working through a real life application of the concepts. I learned this in my move from academia to market research. Knowing the concepts does not mean that you are prepared or ready to make a living doing that concept. The way that I've learned how to do my 'day job' is through application of the ideas I learned. Application and failing, and trying again. It is all the process of doing that teaches. I've learned more in a year or so of marketing than I think I ever could have in school. This must hold truth for art, too. 

I have painted most of my life, on and off. I remember the first time I worked with oil paint. I was about 14, sitting on my bed, using bright blue paint. I made a big mess, and I tried to clean the paint off of the brush to start with a different color, and was shocked that nothing would come off. I had no idea that oil paint is not water soluble, and had to get up, and make my way back to store to get turpentine. I had no idea what I was doing.

Now, I've got too many versions of paint thinner and mediums lying around, and countless versions of tubes of blue paint. I've got stacks of canvas in my dining room, ready to be knocked over by one of my cats at any time. My apartment walls are covered in my work, mainly due to my lack of a real studio. At least now I've got a few easels and shelves to paint on, instead of my bed. I've come a long way, teaching myself and learning through the works that I admire the entire time. I think I'm ready for this beginning, I'm ready for this portion of my journey in my passion to start. Let's go.